Spence News

Spence Senior Wins Prestigious YoungArts Prize for Writing and Poetry

Avery C. ’25 is one of the winners of this year’s YoungArts Award, a national program that celebrates accomplished young visual, literary and performing artists, heralding the next generation of artists to watch. She received the writing/poetry award for her set of poems: "Improvisations II (Nostos, Algia)," "Junk Drawer Duplex," "Amadeus Revisited," "The Hoard," and "Periodicity for Advanced Beginners." Avery is among 800 students in Grades 10-12 across the country being recognized for “work that demonstrates exceptional technique; a strong sense of artistry; and a depth of thinking/performance that exceeds the level of peers at this career stage.”

Avery’s English teacher Ana Silva shares her enthusiasm for the national recognition. “As early as Grade 5 Avery wrote tremendously accomplished stories, and I’ve seen her grow into a riveting writer and poet, a leader,” Silva shared. “Avery’s original poems show astonishing energy, purpose and intensity through confident tone, their litany of compelling and surprising images and objects, and deft use of line and stanza breaks.” Praised for revitalizing the literary arts community at Spence, Avery is one of the co-founders of the S.C.R.A.W.L. literary arts magazine. Beyond the classroom she is a member of the Civics Club, Glee Club, and the Math and Debate teams.

Upon receiving the news of winning the award, Avery shared: “I was really surprised (and happy!) to receive this prize! Although I've always loved to write, I only seriously delved into poetry last year in Studies in Poetry with Ms. Silva. I hope to continue growing as a poet and thinker, and I am extremely grateful to Spence for teaching me how to read with a discerning eye and write with a sharp pen.”

As a YoungArts award winner, Avery joins a community of distinguished artists that provides a long–term, robust network to help artists at all stages of their education and career.



Improvisations II (Nostos, Algia)
by Avery C. '25

We derive nostalgia from the Greek nostos (homecoming) 
and algia (pain)      when at the wound between curtains
tungsten recalls winter sun.

1. 
When you first slaughtered the verse for gunpowder, when 
the cannons first echoed a jazz tune, when 
amongst the circuit breakers      there was a redwood mosaic of the virgin 
and the babe overthrown by a canvas stomach, 
no dimple of fat, no navel, no slosh of the wine-dark 
against another uncharitable shore, no linen sail, no north wind 
A wheeze of jaundiced summer      warmth fallen to scurvy.

2.
When you exorcise the brass, the alloys of bone 
and potato skin and bile, when you scrabble against the rectory door, 
we rehearse the permutations      who folds first, which gut, 
which gavel. These purls overtake their fathers
counting stitches, another fray, the geometry of all knots and keyholes 
and dry mouths. In nursery we lick cadmium from our thumbs
like it’s sugar. The nurses      heaving barley grain. 

3.
Wherefore the cornhusks. Will sewage be its own broth, will isolation? 
Will the stitches chafe the metamorphic or will we grease 
the igneous and iron again? Will we     cement this grief or bathe 
in the kettle water, now cold, rinsed. So wherefore the husks, 
the harmonica solo, the bluegrass man out-of-key by the bathhouse, 
the canoe, the current that flirts with the cliffs, the outdated dictionaries! 
Dialing a wrong number      glimpsing a dead great-great-grand-something 

on the bus uptown. Wherefore the psalms the prophet crossed 
amongst the oil stains, wherefore vows not made, a cut of seersucker? 

Wherefore the shards of epics      nostos, algia?
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